Grazza
Super Moderator
Posts: 11450
Registered: 07-02 |
I recall that there was an understanding that pausing in moderation was OK for compet-n runs - you weren't expected to junk a long movie run because you got an important phone call or had to sign for a parcel, etc. I could have sworn it was mentioned in the compet-n rules (and a web search suggests so too), but can't find anything at the moment. Maybe someone else can remember better, but IIRC, it was considered OK to pause three times in a demo (even using the pause key, which leaves pause tics in the demo).
I should also clarify that the only knowledge I have of Henning's use of pause is from the text-file for 30nm4000.lmp. Since that isn't readily available online at present, I have attached the demo. Note that he may well have stayed strictly within the compet-n rules at the time, and this demo was accepted as a new record, and AdamH no doubt read the text-file in full. I may also have misrepresented the amount of consultation about strategy that wasn't conducted in real-time. Anyway, you can read 30nm4000.txt and judge for yourself.
Frankly I doubt that the legendary runners used pausing very much at all, and 30nm4000 may well have been an exception even to the extent that it was employed there. After all, 30 minutes isn't a long time. And most people are liable to need a toilet break in a 3-hour run, so we can't begrudge them that.
Personally, I have only witnessed one movie run live by one of the compet-n specialists. That was Radek attempting a 30uv (failed when he got trapped by spiders on map23). He looked utterly calm and unflustered throughout, and like the last thing he needed was to break away from play for any reason that might have helped him with the run.
Overall, I don't think this is a big deal. One last point: there is nothing to stop people waiting a long time during intermissions to achieve a similar effect, other than the fact that this would make the demo rather tedious to watch.
Attachment: 30nm4000.zip
This has been downloaded 8 time(s).
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