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Lunatic

   (104 reviews)

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About This File

The moon's orbit was slowed due to a headon collision with a giant ball of demons. Escape the moon before it crashes into the Earth!

Lunatic includes 5 Boom-format maps for Doom 2. Please play Lunatic with PrBoom+, Zdoom, or Eternity.


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gemini0

  

Very fun and fair mapset with an excellent ending. I was grinning like an idiot while mowing down the imps and waiting for the rocket to be ready to launch!

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.lypi

  

love the aesthetic of this wad

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Lebsrostla Halabala

  

My fave Skillsaw wad. Quite short, not extra difficult and gorgeous. 

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deleted.

· Edited by a.a.i.

  

.

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El Juancho

  

nice

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xX_Lol6_Xx

  

This is and will always be my favorite map, awesome levels, textures, music and two new monsters!

 

It really makes you think you're in the moon.

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baja blast rd.

·

  

since this came out, the moon look has been explored with more ornament and grandeur to it. (examples are Valiant by the same author and the single level Man on the Moon by Yugiboy85.) it's easy to write off Lunatic as slightly dated, with its sparkly clean CC4-tex look feeling like a design relic of the time.

 

imo that would be a mistake. Lunatic has a great trick that the secret mysterious Doominati wants to charge you recurring payments of $19.99 for. throughout, there are a lot of cool, memorable "events" that I'd describe as cinematic. they are kind of like cutscenes, telling a ministory through motion and change, without of course stealing the controls away. their periodic appearances give Lunatic the vibe of a lived-in movie -- which, as an incidental bonus, meshes super snugly with the "action caper" pitch of the combat. "The Final Countdown" is basically a cinematic event from start to finish, along with being arguably the most iconic arena map ever and a preciously rare musical gimmick/pun map. 

 

I think it's telling that Valiant's "Rocket Zone 2" would have been highly recognizable as a remake of Lunatic's "Rocket Zone" even if it had a completely different theme and gave the architecture a substantial overhaul. the sense of identity transcends the things that most commonly produce identity. combine that with essentially the perfect musical fit -- the cheesy, synthy jams of '90s arcade games and of course...that other one -- and a great skybox and props.

 

Lunatic's combat is defined by its unification of "challenge" and "fun" (not the way I classify things, but I've seen it often and it works here, so I'm rolling with it). basically, the parts where you plow down lots of fodder with powerful weapons -- in a way that might read as comic relief -- are also arranged to be the most dangerous fights, instead of serving as pure low-stress interludes. that danger comes from a wider range of powerful attacks (no surprise that both new monsters are zombies with hard-hitting non-hitscan attacks) and from the constant worry of the weakling mobs infiltrating your space. the result is a sort of hedging against either part not translating to a given player: if a fight is too easy to be exciting purely based on its threat-resolution arc or if it's frustratingly hard (not that the latter is likely in Lunatic), it can still redeem itself with raw components that are inherently satisfying. 

 

skillsaw is also dogmatic about placing the needed parts of your progression goals in convenient sight -- a key might be hoisted on an unreachable platform, reached from somewhere else, with the matching key door adjoined in the same room. that both makes it hard to get lost and gives the action an undercurrent of psychological momentum. it is a pageturner in Doom format, in a way. having a clear picture of what's next encourages you to see it through, to tie the loose ends you've been handed. nothing's wrong with intentionally cryptic maps that refuse easy progress, but provided one wants super smooth flow, wads like Lunatic make a great study for avoiding the occasional hitches that often surface in maps that are 95% of the way there. 

 

9/10 or so. improved on (nominally) but still indispensable. 

 

/still not a reviewer. I don't do it often enough to count!

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Horus

  

A neat lunar-themed minisode from skillsaw, with a lot of nice space/rocketry visual touches. The soundtrack fits very well to the theme. 

 

Difficulty is fairly consistent throughout (save for the easier first level), enough going on to keep you satisfied but significantly easier than Valiant or Ancient Aliens. The mapset's custom monsters are introduced very well, even if they are quite simple to kill.

 

The final map was the highlight for me, a very fun slaughter-lite map. Overall, four stars, enjoyable stuff, though I do think skillsaw's meatier more recent works are an improvement over this.

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printz

  

Nicely challenging wad with a consistent Moon base and spaceflight theme. Gameplay is straightforward Plutonia combat, with a lot of dangerous ambushes requiring good reflexes and escape plans.

 

Stylistically, even though it made little difference while inside the techbases that you're on the Moon or anywhere else, the outside areas reminded you constantly where you are. The Earth may have been drawn too close in the sky, but the story explains why. The music however felt too arcade-like, and the Moon crater surface textures could have been better.

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Gaia74

  

a funny wad, some hard but recommended, the arquitechture is very good, the style good, and the music is nice

 

5/5

 

Gaia74

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StormCatcher.77

·

  

This project remembered to me by a simple and at the same time very impressive architecture, which hides a well-thought-out layout, giving excellent expirience from the gameplay. I was play most of the maps running through the locations from cover to cover, leaving behind the fighting monsters. New opponents here perfectly complement the classic and they are good to create problems. These maps give a very dynamic and at the same time free gameplay, which can be called exemplary. Even the last map, with a high count of enemies, is flown in the same breath. Thanks to the good tracks, which give a vigorous rhythm to the gameplay, this whole not-so-big project gives a bunch of positive impressions that you cannot collect in many “full-sized” megawads. 5/5 in my collection. I think in the near future I will dig deeper into other Skillsaw's works.

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seed

  

And thus Lunatic was finished, rather quickly too, played through GlBoom+ 2.5.1.5 on UV.

 

So this would basically be the predecessor to Valiant considering that the theme and gameplay style would end up in skillsaw's later work Valiant. It features only 5 levels taking place exclusively on the moon both inside and outside of various bases. The wad features a new background menu, music, new enemies, namely variations of the Shotgun Guy and Chaingunner who use Plasma rifles and Rocket Launchers respectively, new textures, but no new status bar, weapon/enemy sounds, or ENDOOM screen.

 

Compared to skillsaw's other 2 projects that I have played, namely Ancient Aliens and the previously mentioned Valiant, the biggest difference would probably be the difficulty. Lunatic is an easy-to-medium wad with low enemy counts, whereas the other 2 megawads are hard with high enemy counts that are targeted primarily at veterans or very skilled players, AA fitting especially well in this category. The maps are pretty short, compact, and straightforward with a few secrets that are generally easy to find, with the final level being a surprisingly short slaughter map with little over 300 enemies, which also features a MIDI rendition of Europe's "The Final Countdown" and is named after the track. Indeed, a very nice conclusion to the short expedition.

 

Considering that there's so few levels and there's nothing really making any of them stand out of the crowd (don't misunderstand, I don't think this is a problem in this case) with the possible exception of MAP05 which changes the style to slaughter, there's not much else to add, so in short, although skillsaw would later proceed to create 2 masterpieces, Lunatic lays the foundation on which Valiant will rise. It anticipates an epic journey while settings the standards high, delivering 5 action packed, beautiful, atmospheric, short and straight-to-the-point levels that are real fun to play. It only took me one hour to finish it so time really shouldn't be an issue. As it was the case of CS2 it was so fun I kinda wish it was longer, but this makes it perfect for those times when you just want to play some Doom but investing considerable amounts of time isn't exactly possible as it can easily be beaten in one sitting. Would highly recommend this to anyone, one hour of quality.

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Yugiboy85

  
Brilliant :) Map 03 and 04 have got to be my favorites of the set.

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Spectre01

  
Pretty good tbh but the Valiant moon episode was better in every way.

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AnonimVio

  
Absolutely fantastic, gorgeus, flawless.

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Guest

  
I love it and I didn't finish it yet !

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NuMetalManiak

  
a quick set with some good gameplay.

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Guest

  
Layout, texture use, decoration and ambiance: solid 4*. Gameplay @ UV starts promising, despite too many dull snipers. But hereafter it turns into an endlessly repeated slaughter of the simplemost kind: enter room - room is locked - huge monster spawns - create infighting - wait until almost all monsters are dead - kill the remainings - enter next scene. IOW: totally predictable and monotonous gameplay ruins the adventure completely. It's not difficult, just plain soulless and boring. Whát a pity...

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Budoka

  
This is often compared to Vanguard, but it doesn't play quite the same way, as the opposition here is both more lightweight and much more devious. Regardless, it's very satisfying. The fights are great, the custom enemies work perfectly and put on some interesting pressure on the player, and Skillsaw nailed the arcade space shooter feeling to a T. Of course,expect one of his typical easy-ish slaughtermaps. One big downside: compared to most of his other solo work, this one's over too quickly.

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Ezepov

  
super

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Guest

  
Skillsaw's mapping style is among the best of the modern DOOM mappers. His levels are just super-fun to play. Great architecture, great gameplay, and the last level with its very appropriate music took this wad to the next level and secured it as legendary. 5/5, an absolute blast!

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Unknown date

  
absolutely awesome.

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Guest

Unknown date

  
^You mean "Doom" wad, right? But yeah, this wad is badass! I give it 5 stars!

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Guest

Unknown date

  
Great leveldesign and setting, top-notch gameplay, cool new enemies. This mapset has only one flaw - it's too short! 5/5 - Demonologist

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Unknown date

  
more levels please! also 5*

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  • File Reviews

    • By PsychEyeball · Posted
      One of the earliest community projects to be compiled, Community Chest is a 32-map joint effort from many mappers in 2003. The rules: use only stock textures. The sky is the only limit. (Ok, or Boom's engine limits)   This WAD is a good time capsule to be reminded of what the Doom community was cooking in the time, but for many, including myself, it will not be a good Doom experience. These maps have not aged gracefully for the most part and favor long, sprawling and obtuse switch hunts where the goal is figuring out what exactly the author of the map wants you to do. With a few exceptions, the combat doesn't pop in a satisfying way and when it brings up the heat, it oftens does in an unfair manner.   The number one negative of this WAD is that maps are often way too long and outlast their welcome. It feels as if many mappers wanted to deliver their magnum opus and go for the giant, epic level with many different paths and things to do, but sadly, these levels do not know when to quit and they progressively get more and more aggravating. Use3D (Maps 12, 13), Kaiser (Maps 10, 15, 26) and Sphagne (Maps 21, 23, 27) are likely the prime offenders of this rule, the latter of which also loves to include extreme resource depravation to the mix to make the proceedings even longer than they need to be.    Unfortunately, not even the smaller maps can lift the WAD above mediocrity for a single reason: a lot of the smaller maps fail to leave any kind of impression to the player, as they are a little too by the numbers and forgettable. Most of Bad Bob's output feels interchangeable (Maps 4, 8, 9), I can't remember anything about Alex Parsons' levels apart from them being short (Maps 3, 11) and Gene Bird's maps, while mostly inoffensive, look outright primitive even for 2003 (Maps 7, 32, 19, 28). This would be forgiven if the levels had good action, but the encounter design mostly feel random and scattershot, killing any chance they will stick in your memory for a good reason.   Sometimes, the WAD decides to get a little more quirky and maps decide to do their own thing. This leads to either successful moments or disaster. Ultimate Doomer's map 1 might be the single worst way to start a megawad, leading you on a mostly pistol-only journey where one will be expected to pistol cacodemons and mancubi to death. In Map 20, the purpose of invading a demon base to plant a bomb and escape in 2 minutes is very tantalizing, but Ultimate Doomer's random use of voodoo dolls standing around the base partially ruin what could have been a great level. Metabolist offers the finest slice of action in the whole WAD, filling up a micro-map with no less than a demon army. (Map 14) The proceedings only take about 3 minutes, but the carnage leaves you refreshed. Archvile46 offers the most explosive map opening in the WAD (Map 25), but the infinitely tall monsters make this first fight utterly miserable to get your footing on, all while having minimal weaponry and ammo. Elsewhere, Thomas van der Velden goes for a more charming approach, with a laid back romp through a quaint and nicely decored police station (Map 2) and a cordial Icon of Sin fight with a cute gimmick (Map 30). Magikal (RIP) serves us Map 6, which is more of a "puzzle" map. However, the solution to most of the "puzzles" revolves around pushing everything until something happens, then find out what happened.   Speaking of Magikal, we now have to adress the elephant in the room: Map 29 - Citadel At The Edge of Eternity.   Many maps in CC1 try to be a magnum opus and fail miserably. However, this map is 100% deserving of the moniker; this is a painstakingly crafted level which is gargatuan, breathtaking, and also completely infuriating. No part of Citadel is obvious or easy; you're thrown in a world where most of Doom's rules don't apply. Anything can be a switch leading toward the next step and the encounters are brutal, especially on a pistol start. The citadel and the outer mountains are full of monsters who will constantly hound you no matter where you are outside. Revenants hide inside guard towers spread all over the citadel. Highlights of the map involve: a giant tunnel with stealthy chaingunner hideouts, a daring strafe-run sequence where you must run amok the entire side rempart, the agonizingly slow elevator puzzle room and the impressive, yet buggy 3D bridges that spiral upon themselves. The most impressive combat showcase happens once you use the red key: you're set upon the bottom of a massive fortress rempart filled with countless hitscanners while sideways cages of hell knights and revenants pelt you with projectiles. It's like fighting a major war all on your own and even if you had super weapons (which you won't have on a pistol start) they'd be useless against the fortifications the demons have set. Progress in this map is often glacial, with you having to give your all to gain every inch and it'll often come to a complete halt as you're stuck figuring out what the next step is. Like in Map 6, Magikal has many diabolical "puzzles" that will leave you scratch your head pondering how would anyone find this naturally. It took me almost 4 hours to beat this map on my first try on UV difficulty, with gratuitous saving and reloading. By the time I was done, I was tired, exhausted and filled with a certain form of impotent nerd rage as I was pondering what the hell I just played. I can't help but be amazed at what Magikal accomplished, as this map is definitely a one of a kind that no one has come close to match in terms of overall scope (Eviternity 2's MAP 36 might be the closest sibling this map has). On the other, I didn't enjoy playing most of this map and I can't imagine anyone will enjoy it either.   So in the end, many of CC's maps are unecessarily bloated, some are featureless and in this 32-map pack, I can say I liked about 6 maps in total. Many of these maps have a certain hustle that warrant respect, but respect doesn't always translate to fun gameplay. If you like your maps to be on the exploratory side, you will likely find something to like in this map pack as many maps fill this bill. But the action in this WAD is either turgid or way overclocked for the common Doom player. Approach at your own risk.
    • By video_ouija · Posted
      Simply put, masterpiece.
    • By Cruduxy Pegg · Posted
      This wad is different from any other mapset you'll play. some maps are very good with gimmicks and creativity you won't find in other mapsets.. other mapsets are  the most annoying puzzle hunts in gigantic maps you'll ever see as well. actually the bigger maps were usually easier to finish quickly than smaller ones, the small ones were usually padded to high heaven with stupid progression, keys and annoying as hell build the stairs switch hunts. If you want to play it I highly recommend just using a guide or cheat using doom builder as the dumbest puzzles in this wad are usually switches you don't even know exist (like an x on a random wall on a gigantic castle to continue).   I didn't play this mapset to the end either, the last third of this mapset is very annoying and I only enjoyed like 2 of those maps before quitting on that almightly annoying map26 which goes on and on and when you think you finally found the exit it takes you to a trip in time to what seems like a re-imagination of the most annoying map in Enigma (I don't hate Flynn's maps, actually I like his master levels and a lot of maps in engima).   Sadly I didn't get to experience the legendary reputations of map27 and 30 but I don't think I want to even try.   Note: This isn't the first time I played the first half of this mapset, previously it was in multiplayer and it was still very annoying to play and most players gave up in the last third of this as well.
    • By costadevale · Posted
      It may not have that "id essence" the original DTWID has, but it has a level of abstractness that I really like. Kind of like a 1994 wad, but miles more polished. This is not "below amateurish". RIP phobosdeimos1.
    • By Walter confetti · Posted
      What a cute small level, a little relic from 30 years ago! This map is not perfect, i know, but it's a fun small map (except for the asshole-ish secret spider placement) with many new graphics and a silly jazz tune that i heard already but i don't remember the title. There's a Doom 2 version of this map? I remember the greetings graffiti at the end of this map used elsewhere, It was such a nice touch that i did the same thing in one of my early maps (We Are 183 iirc)
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